{"id":698,"date":"2018-06-23T12:49:50","date_gmt":"2018-06-23T12:49:50","guid":{"rendered":"http:\/\/www.icgg2018.polimi.it\/?page_id=698"},"modified":"2018-08-01T15:05:54","modified_gmt":"2018-08-01T15:05:54","slug":"sample-page-2-2-3","status":"publish","type":"page","link":"https:\/\/www.icgg2018.polimi.it\/?page_id=698","title":{"rendered":"Program"},"content":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; bottom_padding=&#8221;5%&#8221; color_overlay=&#8221;#ffffff&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;2\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #d4a502;\"><span style=\"color: #d4a502;\">Conference Program<br \/>\n<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]<\/p>\n<h5 style=\"color: #d4a502;\"><span style=\"color: #d4a502;\">Introduction<\/span><\/h5>\n<p>The ICGG 2018 Program (still tentative) is summarized in the diagram at the foot of this page, here a summary of the scientific and social activities envisaged is outlined.<br \/>\nOn August 3, 2018 the Conference will start, at the <a href=\"http:\/\/www.triennale.org\" target=\"_blank\" rel=\"noopener\">Triennale di Milano<\/a>, and from August 4 to August 7 2018 it will be hosted at the Campus Leonardo of the Politecnico di Milano, the historical headquarter of our <a href=\"http:\/\/www.polimi.it\" target=\"_blank\" rel=\"noopener\">University<\/a>.[\/vc_column_text][divider line_type=&#8221;No Line&#8221; custom_height=&#8221;30px&#8221;][nectar_btn size=&#8221;small&#8221; open_new_tab=&#8221;true&#8221; button_style=&#8221;see-through-2&#8243; hover_color_override=&#8221;#d4a502&#8243; hover_text_color_override=&#8221;#ffffff&#8221; icon_family=&#8221;none&#8221; url=&#8221;https:\/\/www.icgg2018.polimi.it\/wp-content\/uploads\/2018\/08\/ICGG2018_Program.pdf&#8221; text=&#8221;<b>Download the printable program HERE<\/b>&#8220;][\/vc_column][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text css=&#8221;.vc_custom_1500331193977{margin-bottom: 18px !important;padding-top: 5px !important;}&#8221;]<\/p>\n<h5 style=\"color: #fff;\"><span style=\"color: #fff;\">DEADLINES<\/span><\/h5>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; bottom_padding=&#8221;5%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;2\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #fff;\"><span style=\"color: #fff;\">Download your Template for the Oral Presentation<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]<b>Technical Sessions<\/b><br \/>\nYou can download below\u00a0the\u00a0layout\u00a0for the oral\u00a0presentations in technical session, in the format 4:3 or 16:9 according to your preference. We invite you to use it\u00a0in order to have a unitary style,\u00a0at least use\u00a0the frontispiece-slide:<\/p>\n<p><strong><a href=\"https:\/\/www.icgg2018.polimi.it\/wp-content\/uploads\/2018\/07\/ICGG18_4-3.pptx.zip\" target=\"_blank\" rel=\"noopener\">ICGG2018_Format_MSPowerPoint_4_3.pptx<\/a><\/strong><br \/>\n<strong><a href=\"https:\/\/www.icgg2018.polimi.it\/wp-content\/uploads\/2018\/07\/ICGG18_16-9.pptx.zip\" target=\"_blank\" rel=\"noopener\">ICGG2018_Format_MSPowerPoint_16_9.pptx<\/a><\/strong><\/p>\n<p>We also remind you that time for technical presentation is 15 minutes, plus other 5 minutes for question time<\/p>\n<p><b>Plenary\u00a0Poster Sessions<\/b><br \/>\nFor the oral\u00a0presentation of the posters in the\u00a0pleanary poster\u00a0sessions,\u00a0the pdf version of the graphic poster (originally size\u00a0A0) will be used;\u00a0this unique\u00a0rich picture\u00a0should suffice\u00a0considering the short time of\u00a0the presentations\u00a0(about 2 minutes each); however,\u00a0if you exceptionally\u00a0need\u00a0otherimages in addition (i.e. to focus on some relavant details),\u00a0please use the templates for Technical Sessions\u00a0downloadable above, without the frontispiece-slide; in any case, indeed, the graphic poster will be the first image presented, in order to have a unitary style in the session.[\/vc_column_text][\/vc_column][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; bottom_padding=&#8221;5%&#8221; color_overlay=&#8221;#ffffff&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #d4a502;\"><span style=\"color: #d4a502;\">Plenary Lecturers<br \/>\n<\/span><\/h2>\n<p>[\/split_line_heading][\/vc_column_inner][\/vc_row_inner][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<\/p>\n<h5 style=\"color: #000;\"><span style=\"color: #000;\">AUGUST 3<\/span><\/h5>\n<p>Afternoon &#8211; inaugural session<br \/>\n<strong>Eulogy of Geometry and Graphics<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong><a href=\"http:\/\/www.history.ox.ac.uk\/people\/dr-matthew-landrus\" target=\"_blank\" rel=\"noopener\">Matthew Landrus<br \/>\n<\/a><\/strong><\/span>Guest lecturer<br \/>\nUniversity of Oxford, UK<br \/>\n<strong><a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=593\">Rational estimates for irrational problems: geometry and arithmetic for the technical and visual arts at the turn of the sixteenth century<\/a><\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong><a href=\"https:\/\/www.cmic.polimi.it\/en\/department\/persone\/personale-docente\/raos-guido\/\" target=\"_blank\" rel=\"noopener\">Guido Raos<br \/>\n<\/a><\/strong><\/span>Guest lecturer<br \/>\nPolitecnico di Milano, Italy<br \/>\n<strong><a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=536\">Molecular geometry and molecular graphics: Natta\u2019s polypropylene and beyond<\/a><\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<\/p>\n<h5 style=\"color: #000;\"><span style=\"color: #000;\">AUGUST 4<\/span><\/h5>\n<p>Morning<\/p>\n<p><span style=\"color: #d4a502;\"><strong><br \/>\n<a href=\"http:\/\/www.cim.mcgill.ca\/~paul\/\" target=\"_blank\" rel=\"noopener\">Paul Zsombor-Murray<br \/>\n<\/a><\/strong><\/span>ISGG lecturer<br \/>\nMcGill University, Canada<br \/>\n<a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=567\"><strong>Geometric Thinking and the Geometry of Conics and Quadrics<\/strong><\/a><\/p>\n<p>Afternoon<\/p>\n<p><span style=\"color: #d4a502;\"><strong><a href=\"http:\/\/www.lighting.co.jp\/pages\/about\" target=\"_blank\" rel=\"noopener\">Kaoru Mende<br \/>\n<\/a><\/strong><\/span>Guest lecturer<br \/>\nCEO Lighting Planners Associates, Japan<br \/>\n<a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=548\"><strong>Designing with Shadow\uff0fin Architectural Lighting Design<\/strong><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<\/p>\n<h5 style=\"color: #000;\"><span style=\"color: #000;\">AUGUST 5<\/span><\/h5>\n<p>Morning<\/p>\n<p><span style=\"color: #d4a502;\"><strong><br \/>\n<a href=\"http:\/\/www1.uni-ak.ac.at\/geom\/staff_bo.php\" target=\"_blank\" rel=\"noopener\">Boris Odehnal<br \/>\n<\/a><\/strong><\/span>ISGG lecturer<br \/>\nWien University of Applied Arts, Austria<br \/>\n<a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=564\"><strong>Higher dimensional geometries. What are they good for?<\/strong><\/a>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<\/p>\n<h5 style=\"color: #000;\"><span style=\"color: #000;\">AUGUST 6<\/span><\/h5>\n<p>Morning<\/p>\n<p><span style=\"color: #d4a502;\"><strong><br \/>\n<a href=\"http:\/\/www.media.kmutt.ac.th\/content\/drpeeraya-sripian\" target=\"_blank\" rel=\"noopener\">Peeraya Sripian<br \/>\n<\/a><\/strong><\/span>ISGG lecturer<br \/>\nShibaura Institute of Technology, Japan<br \/>\n<a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=555\"><strong>Computational visual illusion and its application<\/strong><\/a><\/p>\n<p>Afternoon<\/p>\n<p><span style=\"color: #d4a502;\"><strong><a href=\"http:\/\/www.iuav.it\/Ateneo1\/docenti\/architettu\/docenti-st\/De-Rosa-Ag\/\" target=\"_blank\" rel=\"noopener\">Agostino De Rosa<br \/>\n<\/a><\/strong><\/span>Guest lecturer<br \/>\nUniversit\u00e0 IUAV di Venezia, Italy<br \/>\n<strong><a href=\"https:\/\/www.icgg2018.polimi.it\/?page_id=125\" rel=\"noopener\">Blindness of seeing. On the origin of the images<\/a><\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; bottom_padding=&#8221;5%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #fff;\"><span style=\"color: #fff;\">Scientific program<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]<em>Opening Plenary Lectures<\/em>, 20 minutes each, by Invited Guest Lecturers after the Inaugural Ceremony at the Triennale di Milano, in the session titled \u201cEulogy of Geometry &amp; Graphics\u201d<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>ISGG Plenary Lectures<\/em> of 40 minutes each including question time, by invited ISGG members, scheduled in the morning as opening lectures of the days<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Guest Plenary Lectures<\/em> of 40 minutes each including question time, by invited Guest Lecturers, scheduled in the afternoon as closing lectures of the days<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Plenary Poster Sessions<\/em> of 20 minutes, including short presentations of about 2 minutes each<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Parallel Technical Sessions<\/em> (TS) with presentations of 20 minutes each, including 5 minutes for question time<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Plenary Technical Sessions Reports<\/em> (TS Reports), consisting of plenary round tables with public discussion of 40 minutes each, leaded by the Session Chairs, scheduled at the end of the Technical Sessions of the day<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Plenary Panel Session<\/em>, leaded by designated Panelists, aiming at summarizing and discussing the inputs emerged during Conference and TS Reports, as well as new issues proposed by the participants, in the final working session titled \u201cReloading Geometry &amp; Graphics\u201d<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p><em>Closing Ceremony<\/em>, August 7 morning[\/vc_column_text][\/vc_column][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #fff;\"><span style=\"color: #fff;\">Social program<br \/>\n<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]Conference Desk (available until August 7) and visit to the Triennale Design Museum, Conference Picture, Opening Ceremony, and Welcome Party at the Triennale di Milano, on August 3 afternoon<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Conference Excursion, scheduled at half of the Conference, on August 5 afternoon, Sunday, with lunch box at noon<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Conference Dinner, scheduled on August 6 evening<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Accompanying Persons\u2019 Tours (APT) scheduled on August 4 and 6 afternoon,<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Lunches on August 4 and August 6<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Coffee break desk<\/p>\n<h5 style=\"color: #ffffff;\"><span style=\"color: #fff;\">\u2022<\/span><\/h5>\n<p>Closing Ceremony with leave-taking snack, on August 7 morning[\/vc_column_text][\/vc_column][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #fff;\"><span style=\"color: #fff;\">ISGG Board Meeting<br \/>\n<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]ISGG Board Meeting extended to dinner, scheduled on August 4[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #d4a502;\"><span style=\"color: #d4a502;\"> ICGG2018 Final Program Summary<\/span><\/h2>\n<p>[\/split_line_heading][vc_column_text]<\/p>\n<p class=\"p1\"><strong><span class=\"s1\">CONFERENCE TOPICS:<br \/>\n<\/span><\/strong><strong>(T)<\/strong> Theoretical Graphics and Geometry<br \/>\n<strong>(A)<\/strong> Applied Geometry and Graphics<br \/>\n<strong>(C)<\/strong> Engineering Computer Graphics<br \/>\n<strong>(E)<\/strong> Graphics Education<br \/>\n<strong>(H)<\/strong> Geometry and Graphics in History<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][image_with_animation image_url=&#8221;789&#8243; alignment=&#8221;center&#8221; animation=&#8221;None&#8221; box_shadow=&#8221;none&#8221; max_width=&#8221;100%&#8221;][\/vc_column][\/vc_row][vc_row type=&#8221;in_container&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<\/p>\n<h2 style=\"color: #d4a502;\"><span style=\"color: #d4a502;\">ICGG2018 Final Detailed Programme<\/span><\/h2>\n<p>[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#d4a502&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<strong><span style=\"color: #ffffff;\">3 AGOSTO &#8211; FRIDAY<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">TRIENNALE DI MILANO DESIGN\u00a0<b>MUSEUM<\/b><\/span><\/strong>[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]13:40-16:20 \u2014 REGISTRATION DESK<br \/>\n<strong><span style=\"color: #000000;\">Visit to the Triennale Design Museum<\/span><\/strong><\/p>\n<p>16:20:00-18:00 \u2014 OPENING CEREMONY<br \/>\n<strong>\u201cEULOGY OF GEOMETRY AND GRAPHICS\u201d<br \/>\n<\/strong><\/p>\n<p><strong>Call to Order and Early Intro to ICGG2018<\/strong><\/p>\n<p>Luigi COCCHIARELLA<br \/>\n<em>Executive Conference Chairman &#8211;<\/em> [<em>Italy<\/em>]<\/p>\n<p><strong>Official Opening of the Conference<\/strong><\/p>\n<p>Yasushi YAMAGUCHI<br \/>\n<em>President of ISGG and Conference Chairman &#8211;<\/em> [<em>Japan<\/em>]<br \/>\nOtto R\u00d6SCHEL<br \/>\n<em>Former President of ISGG and Honorary<\/em><br \/>\n<em>Conference Chairman &#8211;\u00a0<\/em>[<em>Austria<\/em>]<br \/>\nVito CARDONE<br \/>\n<em>President of UID and Honorary<\/em><br \/>\n<em>Conference Chairman &#8211;\u00a0<\/em>[<em>Italy<\/em>]<\/p>\n<p><strong>Welcome Addresses from the Politecnico di Milano<br \/>\n<\/strong><br \/>\nFerruccio RESTA<br \/>\n<em>Rector of the Politecnico di Milano &#8211;\u00a0<\/em>[<em>Italy<\/em>]<br \/>\nGabriele PASQUI<br \/>\n<em>Head of the Department of Architecture\u00a0<\/em><em>and Urban Studies &#8211; DASTU &#8211;\u00a0<\/em>[<em>Italy<\/em>]<br \/>\nIlaria VALENTE<br \/>\n<em>Dean of the School of Architecture\u00a0<\/em><em>Urban Planning Construction Engineering &#8211; AUIC &#8211;\u00a0<\/em>[<em>Italy<\/em>]<br \/>\nRossella SALERNO<br \/>\n<em>Coordinator of the Unit of Graphic Representation \u2013 DASTU, AUIC &#8211;\u00a0<\/em>[<em>Italy<\/em>]<\/p>\n<p><strong>Special Addresses for the 40<sup>th<\/sup> Anniversary<\/strong><\/p>\n<p>Frank M. CROFT<br \/>\n<em>ICGG2018 Steering Committee \u2014 [United States] North America \/ South America region<br \/>\n<\/em>Hellmuth STACHEL<br \/>\n<em>Managing Editor of the Journal for Geometry and Graphics &#8211; JGG \u2014 [Austria] Europe \/ Near East \/Africa region<\/em>Hellmuth STACHEL<br \/>\nKenjiro SUZUKI<br \/>\n<em>Former President of ISGG \u2014 [Japan] Asia \/ Australia \/Oceania region<\/em><\/p>\n<p><strong>Thanks for the welcome messages sent, to:<\/strong><\/p>\n<p>Hirokazu ABE<br \/>\n<em>President of the Japan Society for Graphic Science \u2013 JSGS (Japan)<\/em><br \/>\nRobert A. CHIN<br \/>\n<em>Chair of EDGS of the American Society for Engineering Education \u2013 ASEE (United States)<\/em><br \/>\nSanta J. ONO<br \/>\n<em>President and Vice-Chancellor of the University of British Columbia \u2013 UBC (Canada)<br \/>\n<\/em>Cristina TAJANI<br \/>\n<em>Councillor for Labour Policies, Business, Commerce and Human Resources of the Municipality of Milan &#8211;\u00a0<\/em>[<em>Italy<\/em>]<\/p>\n<p><strong><span style=\"color: #d4a502;\">KEYNOTE LECTURES<\/span><\/strong><\/p>\n<p><strong>Session Co-Chairs<br \/>\n<\/strong>Damiano IACOBONE &#8211; [<em>Italy<\/em>]<br \/>\nGunter WEISS &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL001<\/span><strong><br \/>\nRational Estimates for Irrational Problems: Proportional Geometry in the Work of Leonardo da Vinci<\/strong><br \/>\nMatthew Haiden LANDRUS, <em>University of Oxford, Oxford &#8211;\u00a0<\/em>[<em>United Kingdom<\/em>]<\/p>\n<p><strong>Session Co-Chairs<br \/>\n<\/strong>Ema JURKIN \u2014 [<em>Croatia<\/em>]<br \/>\nDaniela VELICHOV\u00c1 \u2014 [<em>Slovakia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL002<\/span><br \/>\n<strong>Molecular Geometry and Molecular Graphics: Natta\u2019s Polypropylene and Beyond<\/strong><em><br \/>\n<\/em>Guido RAOS, <em>Politecnico di Milano, Milano \u2014\u00a0<\/em><span style=\"color: #000000;\">[<em>Italy<\/em><\/span><span style=\"color: #000000;\">]<\/span><\/p>\n<p><strong><span style=\"color: #d4a502;\">CONFERENCE PICTURE<\/span><\/strong><\/p>\n<p>18:00-20:30 \u2014 WELCOMING PARTY[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#d4a502&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<strong><span style=\"color: #ffffff;\">4 AGOSTO &#8211; SATURDAY<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">POLITECNICO DI MILANO CAMPUS LEONARDO<br \/>\n<\/span><\/strong><span style=\"color: #000000;\">BUILDING 3 \u201cGINO CASSINIS\u201d<\/span><strong><span style=\"color: #000000;\"><br \/>\n<\/span><\/strong>[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]08:40-09:00 \u2014 REGISTRATION AND COFFEE DESK<\/p>\n<p>09:00-09:40 \u2014 KEYNOTE LECTURE<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nHans-Peter SCHR\u00d6CKER &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL003<\/span><br \/>\n<strong>Geometric Thinking and the Geometry of Conics and Quadrics<\/strong><br \/>\nPaul ZSOMBOR-MURRAY, <em>McGill University, Montr\u00e9al &#8211; <\/em>[Canada]<\/p>\n<p>09:40 \u2014 10:00 \u2014 POSTER SESSION<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nBiljana S. JOVI\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#003<\/span><br \/>\n<strong>(A)\u00a0Spatial Analysis and 3D Modeling: Drawing the Cathedral of Brasilia in Different Software<br \/>\n<\/strong>Luciana NEMER DINIZ, Igor KLEIN DA S. MARINS &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#005<\/span><br \/>\n<strong>(T)\u00a0Geometry of Conjugation of Curvilinear Channels of the Parts<br \/>\n<\/strong>Aleksandr Yurievich BRAILOV &#8211; [<em>Ukraine<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#017<\/span><br \/>\n<strong>(C)\u00a0Quadratic Characteristics of Workspace Curves of Generalized Planar Cable-driven Parallel Mechanisms<br \/>\n<\/strong>Lewei TANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#019<\/span><br \/>\n<strong>(A)\u00a0The Modeling for Numerical Simulation of a Benchmark Model Based on CAD System<br \/>\n<\/strong>MinLe XU, YuanGuang FU &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#039<\/span><br \/>\n<strong>(E)\u00a0Visual Art as Science<\/strong><br \/>\nAntonio MOLLICONE &#8211; [<em>Malta<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#047<\/span><br \/>\n<strong>(E)\u00a0Learning Creative, Learning MOOC<br \/>\n<\/strong>Maria Ines PASCARIELLO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#052<\/span><br \/>\n<strong>(A)\u00a0Comparison with Expression on \u201c<em>Rakuchu Rakugai-zu<\/em>\u201d, Scenes in and Around the Capital of Kyoto<br \/>\n<\/strong>Kazuko MENDE &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#057<\/span><br \/>\n<strong>(A)\u00a0An Algorithm for Computing Geodesic Curve Based on Digital Experiment of Point Clouds<\/strong><br \/>\nPeng-Fei ZHENG, Qing LIU, Ju-Di ZHAO, Da-Jun LIN, Qi AN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#063<\/span><br \/>\n<strong>(A)\u00a0The Golden Ratio and Jewelry Design<\/strong><br \/>\nClaudia Regina BATISTA, Adhemar Maria DO VALLE FILHO &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#182<\/span><br \/>\n<strong>(C)\u00a0Visual Simulation of Erosion Terrain Considering Different Materials<\/strong><br \/>\nTomoya ITO, Tsukasa KIKUCHI &#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">10:00-10:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nDaniela VELICHOVA<br \/>\n[<em>Slovakia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#006<\/span><br \/>\n<strong>Curved Folding with Pairs of Cones<\/strong><br \/>\nOtto R\u00d6SCHEL &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#008<\/span><br \/>\n<strong>The Cube: Its Relatives, Geodesics, Billiards, and Generalisations<br \/>\n<\/strong>Gunter WEISS &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#015<\/span><br \/>\n<strong>Some Theorems of the Euclidean Geometry in Pentagonal Quasigroups<br \/>\n<\/strong>Stipe VIDAK &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#023<\/span><br \/>\n<strong>Geometric Algorithms for Constructing the Algebraic Surfaces on the Basis of Grassmann\u2019s Ideas and their Extensive Equations<br \/>\n<\/strong>Michael MANEVICH, Elizabeth ITSKOVICH &#8211; [<em>Israel<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#031<\/span><br \/>\n<strong>Hyperbolic Space Forms with Crystallographic Applications and Visualization<br \/>\n<\/strong>Emil MOLN\u00c1R, Jen\u0151 SZIRMAI &#8211; [<em>Hungary<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nAleksandr DVORETSKII<br \/>\n[<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#040<\/span><br \/>\n<strong>Equidistant Sets of Conic and Line<\/strong><br \/>\nMirela KATIC ZLEPALO, Ema JURKIN &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#048<\/span><br \/>\n<strong>Surface and Curves: a Dialogue Between Nature and Structural Analysis<\/strong><br \/>\nOtello BERGAMO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#055<\/span><br \/>\n<strong>Duality in Non-Polyhedral Bodies. Part I: Polyliner<\/strong><br \/>\nEva WOHLLEBEN &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#058<\/span><br \/>\n<strong>Quadric Sections of Four-Dimensional Cones<\/strong><br \/>\nMichal ZAMBOJ &#8211; [<em>Czech Republic<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#065<\/span><br \/>\n<strong>Graphics and Quantum Mechanics &#8211; the Necker Cube as a Quantum-Like Two-Level System<\/strong><br \/>\nGiorgio BENEDEK, Giuseppe CAGLIOTI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nDario CORONELLI<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#054<\/span><br \/>\n<strong>Solving Applied Geometric Design Problems with the Use of 3D-CAD<\/strong><br \/>\nKenjiro SUZUKI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#056<\/span><br \/>\n<strong>Electronic Geometric Modeling is the Basis of Modern Geometric-Graphic Education in the Technical University<\/strong><br \/>\nVladimir GUZNENKOV, Pavel ZHURBENKO &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#070<\/span><br \/>\n<strong>Attribute in Formation on Three-Dimensional Annotated Models &#8211; An Example of Training Method in Three-Dimensional Annotated\u00a0\u00a0 Models for Beginners in Mechanical Design<\/strong><br \/>\nMasahiro YASUI, Susumu KISE, Sozo SEKIGUCHI, Kazuya OKUSAKA, Shigeo HIRANO, Tsutomu ARAKI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#075<\/span><br \/>\n<strong>Transient Finite Elements Analysis of Thin-walled Structure in Selective Laser Melting Process<\/strong><br \/>\nLinshan DING,\u00a0 Li ZHANG, Chunhong RUAN, Zaizhuo JIANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#130<\/span><br \/>\n<strong>Geometrically Constrained Surface (Re)construction<\/strong><br \/>\nGudrun ALBRECHT &#8211; [<em>Colombia<\/em>], Franca CALI\u00d2, Edie MIGLIO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nZhen LIU<br \/>\n[<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#007<\/span><br \/>\n<strong>Practical Skills in AutoCAD Through a Mass Open Online Course<\/strong><br \/>\nNatalia KAYGORODTSEVA, Valeriia LUZGINA &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#018<\/span><br \/>\n<strong>Digitizing Spatial Visualization Tests<\/strong><br \/>\nDomen KU\u0160AR, Mateja VOLGEMUT &#8211; [<em>Slovenia<\/em>], Lidija PLETENAC &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#022<\/span><br \/>\n<strong>The Importance of Circular References, Architectural Modeling, Digital Project and Collaborative Actions in the Architecture Learning<\/strong><br \/>\nIvan XAVIER, Philipe CANTREVA, Igor KLEIN &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#034<\/span><br \/>\n<strong>Quality Management of Engineering Graphics Teaching<\/strong><br \/>\nDilarom F. KUCHKAROVA, Dilnoza A. ACHILOVA &#8211; [<em>Uzbekistan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#037<\/span><br \/>\n<strong>Didactic Experiences on Digital Modeling. Anamorphosis<\/strong><br \/>\nJo\u00e3o Pedro XAVIER, Jos\u00e9 Pedro SOUSA, Alexandra CASTRO &#8211; [<em>Portugal<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nKazuko MENDE<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#010<\/span><br \/>\n<strong>Geometry, Arithmetic, Architecture. Calculation Methods for Vaults\u2019 Surfaces in the <em>Modo di Misurare le Fabriche<\/em> by Guarini<\/strong><br \/>\nRoberta SPALLONE &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#016<\/span><br \/>\n<strong>A Study on Site Planning of Mountain Temples Through Scene Transition Along the Visiting Route by MOTATION: Case Study of Muroji, Hasedera and Kinpusenji Temples in Japan<\/strong><br \/>\nMomoko KATO, Hirokazu ABE, Kensuke YASUFUKU &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#088<\/span><br \/>\n<strong>A Contribution to the History of Representation. The Unpublished Treatise by Matteo Zaccolini<\/strong><br \/>\nLeonardo BAGLIONI, Marco FASOLO, Matteo Flavio MANCINI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#093<\/span><br \/>\n<strong>The Masonry Domes Over the Centuries: the Important Role of Geometry<\/strong><br \/>\nRaffaella PAVANI, Luisa ROSSI-COSTA &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#101<\/span><br \/>\n<strong>Simulation of the Giant Wild Goose Pagoda in Immersive Virtual Reality Environment<\/strong><br \/>\nFei YANG, Shilun HAO, Adrian TAN, Jin YANG, Fabian TAN, Michael PARKE &#8211; [<em>United States<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nTatsuya MOKIZUKI<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#002<\/span><br \/>\n<strong>Alternative Interpretation of the Pl\u00fccker quadric\u2019s Ambient Space and its Application<\/strong><br \/>\nGeorg NAWRATIL &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#011<\/span><br \/>\n<strong>Margin\u2019s Landscapes Between Po and Trebbia Rivers in Piacenza Area: Geometrical Descriptions<\/strong><br \/>\nAlessandro BIANCHI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#020<\/span><br \/>\n<strong>The Design of Jlamt: an Aided Tool for Large-Scale Complex Physical Modeling<\/strong><br \/>\nYan MA, Yuanguang FU, Guiming QIN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#027<\/span><br \/>\n<strong>Geometric Basis of the Use of \u201cGreen Constructions\u201d for Sun Protection of Glazing<\/strong><br \/>\nTetyana TKACHENKO, Viktor MILEIKOVSKYI &#8211; [<em>Ukraine<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#062<\/span><br \/>\n<strong>Examination of the Experience of Biomorphic Form Materialized in Urban Design Model<\/strong><br \/>\nBiljana S. JOVI\u0106, Aleksandar A. \u010cU\u010cAKOVI\u0106, Jelena T. TOMI\u0106EVI\u0106-DUBLJEVI\u0106, An\u0111ela D. MITI\u0106 &#8211; [<em>Serbia<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMaria Ines PASCARIELLO<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#033<\/span><br \/>\n<strong>Toward a New Capital by Le Corbusier &#8211; a Synthesis of Images with Different Origins<\/strong><br \/>\nMichio KATO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#043<\/span><br \/>\n<strong>The Evolutionary Mechanism of Unit Cell: Parameterizations of Polyhedron Sandwich Structure Based on Rigid Origami<\/strong><br \/>\nHao QIU, Yicong GAO, Yixiong FENG, Hao ZHENG, Jianrong TAN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#051<\/span><br \/>\n<strong>Converting 3D-CAD Data into FRP Parts<\/strong><br \/>\nSande GAO &#8211; [<em>Japan<\/em>], Loulin HUANG &#8211; [<em>New Zealand<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#059<\/span><br \/>\n<strong>Generic Fitting in Point Clouds<\/strong><br \/>\nDaniel KLAWITTER, Oliver BRINGMANN, Christian TONN &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#096<\/span><br \/>\n<strong>Geometry of Stairs<\/strong><br \/>\nCornelie LEOPOLD &#8211; [<em>Germany<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">12:00-13:40 \u2014 LUNCH<\/span><\/strong><br \/>\n(13:40-16:40 \u2014 ACCOMPANYNG PERSON TOUR)[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMichal ZAMBOJ<br \/>\n[<em>Czech Republic<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#067<\/span><br \/>\n<strong>Two Remarkable Spherical Arrangements of Circles<\/strong><br \/>\nHellmuth STACHEL &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#072<\/span><br \/>\n<strong>Minkowski Triples of Curve Segments<\/strong><br \/>\nDaniela VELICHOV\u00c1 &#8211; [<em>Slovakia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#077<\/span><br \/>\n<strong>Quasifocal Line and \u201cBurning Curve\u201d<\/strong><br \/>\nAleksandr DVORETSKII, Tetiana DENYSOVA &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#121<\/span><br \/>\n<strong>Curves and Surfaces in the Churches with Ovate Plant in Naples. Geometric Analogies and Differences<\/strong><br \/>\nOrnella ZERLENGA, Vincenzo CIRILLO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMateja VOLGEMUT<br \/>\n[<em>Slovenia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#084<\/span><br \/>\n<strong>Research on the Effect of Providing User Interaction for Graphic Education<\/strong><br \/>\nBiljana S. JOVI\u0106 &#8211; [<em>Serbia<\/em>], Takashi OHTA, Noriko SATO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#086<\/span><br \/>\n<strong>Research and Practice of the Mixed Teaching Mode for Engineering Graphics Based on MOOC<\/strong><br \/>\nJingying ZHANG, Wei YANG, Xianying TONG, Hui ZHANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#091<\/span><br \/>\n<strong>Biomimetical Approach in Training Students of Technical Institutes in Graphic Disciplines with Aim of Developing Creativity and Formation of Professional Culture of the Engineer<\/strong><br \/>\nGalina GAVRILENKO, Uliana DANILOVA, &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#092<\/span><br \/>\n<strong>Non-Conventional Representation for Urban Design: Depicting the Intangible<\/strong><br \/>\nBarbara E. A. PIGA, Rossella SALERNO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nLijie GUAN<br \/>\n[<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#078<\/span><br \/>\n<strong>Facial Expression Recognition Based on Weighted KNN and RF<\/strong><br \/>\nFeng KAIPING, Lai SIYUAN, Li QUANJIE, Wen JUNWEN- [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#110<\/span><br \/>\n<strong>The Optimization Algorithm for Gait Planning and Foot Trajectory on the Quadruped Robot<\/strong><br \/>\nBaoling HAN, Xiao LUO, Rui ZHAO, Qingsheng LUO, Guanhao LIANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#252<\/span><br \/>\n<strong>Mixing of Fluids with Space-Filling Curves<\/strong><br \/>\nMartin Friedrich EICHENAUER, Kevin NOACK, Daniel LORDICK &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#266<\/span><br \/>\n<strong>Challenges in Modelling Complex Geometry in Historical Buildings for Numerical Simulations<\/strong><br \/>\nGrigor ANGJELIU, Dario CORONELLI, Giuliana CARDANI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMarco HEMMERLING<br \/>\n[<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#041<\/span><br \/>\n<strong>Formation of Competence in Students of Technical University for 3D-Modeling and Prototyping of the Objects<\/strong><br \/>\nTatiana BOSHCHENKO, Natalia KAYGORODTSEVA &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#044<\/span><br \/>\n<strong>Creative Graphics Education Potential for Creativity of Hospitality Students via Virtual Environment <\/strong><br \/>\nZhen LIU &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#045<\/span><br \/>\n<strong>Basic Modelling Education to Obtain 3D Spatial Perception for Design Beginners<\/strong><br \/>\nMaiko Kishimoto TSUJII, Ayako KITA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#168<\/span><br \/>\n<strong>The Effect of a Two-Dimensional Optical Illusion Pattern on the Three-Dimensional Interpretation of Objects Using Caf\u00e9 Wall \u201cIllusion Blocks\u201d<br \/>\n<\/strong>Tomoko OHTANI, Daiki AMANAI, Kazushi MARUYA\u00a0&#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Elena I. SHANGINA<br \/>\n[<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#030<\/span><br \/>\n<strong>Drawings and Models in English Perspective Treatises of the XVII and XVIII Centuries<\/strong><br \/>\nCristina C\u00c0NDITO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#038<\/span><br \/>\n<strong>Theater and the Towns<\/strong><br \/>\nEnrica PIERAGOSTINI, Salvatore SANTUCCIO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#053<\/span><br \/>\n<strong>The Study of \u201cDeconstructivism\u201d in the Field of Architecture. Referring to Exhibition at MoMA and Bernard Tschumi<\/strong><br \/>\nMasanao KITAMURA, Kensuke YASUFUKU, Hirokazu ABE &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#061<\/span><br \/>\n<strong>Graph Theory and Music: a Mathematical Tool for Musicians<\/strong><br \/>\nGiovanni ALBINI \u2013 [<em>Italy<\/em>&#8211;<em>Estonia<\/em>], Marco Paolo BERNARDI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nGeorg NAWRATIL<br \/>\n[<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#026<\/span><br \/>\n<strong>Printer of Five-axis Laminate-shaping with FDM Method and its Application <\/strong><br \/>\nTatsuya MOCHIZUKI, Takehiro KAWAMURA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#069<\/span><br \/>\n<strong>Exempla Imperfecta: the \u201cCurious\u201d Image of the Platonic Solid <\/strong><br \/>\nGabriella LIVA &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#081<\/span><br \/>\n<strong>Interactive Visualization for Analysis of Air Traffic Model <\/strong><br \/>\nKensuke YASUFUKU, Shinsuke NAGAOKA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#085<\/span><br \/>\n<strong>Best-Fit Analysis for the Geometry Characterization of Domes <\/strong><br \/>\nLaura FLORIANO, Mariangela LIUZZO, Giuseppe MARGANI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMichio KATO<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#035<\/span><br \/>\n<strong>Identification Method of Topographic Surfaces Models <\/strong><br \/>\nDilarom F. KUCHKAROVA, Dilnoza A. ACHILOVA &#8211; [<em>Uzbekistan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#090<\/span><br \/>\n<strong>Visualized Analysis of Spatial Distribution of Dissolved Oxygen and Nitrogen Removal Efficiency in Constructed Wetland <\/strong><br \/>\nAichen JIA, Huixue YAN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#094<\/span><br \/>\n<strong>Application of Middle-Out Design Based on Multi-Body Method <\/strong><br \/>\nHongxia SONG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#097<\/span><br \/>\n<strong>A Geometric Look at 3D Illusionist Techniques <\/strong><br \/>\nMaria Helena WYLLIE LACERDA RODRIGUES, Madalena RIBEIRO GRIMALDI, Daniel WYLLIE LACERDA RODRIGUES &#8211; [<em>Brazil<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">15:00-15:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nLuciana NEMER DINIZ<br \/>\n[<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#136<\/span><br \/>\n<strong>From Voxels to Parts: Hierarchical Discrete Modeling for Design and Assembly<\/strong><br \/>\nAndrea ROSSI, Oliver TESSMANN &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#137<\/span><br \/>\n<strong>A Program to Seek Drawing Methods for Descriptive Geometry in Prolog<\/strong><br \/>\nShinobu NAGASHIMA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#138<\/span><br \/>\n<strong>Study on the Modeling Converting Methods of Complex Mechanical Product Exterior Design<\/strong><br \/>\nGan JING, Ma LEI &#8211; [<em>China<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nPeng-Fei ZHENG<br \/>\n[<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#144<\/span><br \/>\n<strong>Geometric Representation of Turbulent Macrostructure in 3D Jets<\/strong><br \/>\nOlena GUMEN, Volodymyr DOVHALIUK, Viktor MILEIKOVSKYI &#8211; [<em>Ukraine<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#147<\/span><br \/>\n<strong>The Geometry of the Ramps in Frank Lloyd Wright\u2019s Organic Architecture<\/strong><br \/>\nAna TAGLIARI, Wilson FLORIO &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#149<\/span><br \/>\n<strong>Interaction Between 3D Printing and Geometry Studies<\/strong><br \/>\nMarianna ZICHAR, Ildik\u00f3 PAPP &#8211; [<em>Hungary<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nOtello BERGAMO<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#106<\/span><br \/>\n<strong>Curves with Special Aesthetics Generated by an Original Mechanism<\/strong><br \/>\nIulian POPESCU, Ludmila SASS, Alina DU\u021a\u0102, Marcela POPESCU, Gabriel MARINESCU &#8211; [<em>Romania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#109<\/span><br \/>\n<strong>The Configuration Design and Analysis of a Small Air-Land Amphibious Detecting Robot<\/strong><br \/>\nXiao LUO, Qingsheng LUO, Chen ZHU, Baoling HAN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#113<\/span><br \/>\n<strong>Research on Parametric Modeling of Cable-Stayed Bridge Based on BIM<\/strong><br \/>\nZiru WANG, Yuanjun HE, Baiyu MA &#8211; [<em>China<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nBiljana S. JOVI\u0106<br \/>\n[<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#111<\/span><br \/>\n<strong>Shell Tessellation \u2013 Research-Based Design Strategies Between Architecture and Mathematics<\/strong><br \/>\nMarco HEMMERLING &#8211; [<em>Germany<\/em>], Carlo DE FALCO, Elena ANGELI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#117<\/span><br \/>\n<strong>Teaching Geometry and Surfaces Evaluation Through Graphic Representation and Dynamic Paper Models<\/strong><br \/>\nCaterina CUMINO, Martino PAVIGNANO, Maria Luisa SPREAFICO, Ursula ZICH &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#131<\/span><br \/>\n<strong>Systematic Review of a Flipped Learning Model for the Courses of Descriptive Geometry, Engineering and Computer Graphics<\/strong><br \/>\nMarianna Vladimirovna VORONINA, Sergei Anatolyevich IGNATIEV, Viktoriya Anatolyevna MERKULOVA &#8211; [<em>Russia<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nRoberta SPALLONE<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#064<\/span><br \/>\n<strong><em>Phonurgia Nova<\/em>. Geometrical Acoustics in the 17th Century<\/strong><br \/>\nAlessio BORTOT &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#066<\/span><br \/>\n<strong>Geometry as a Tool to Manage the Territory. Nicolaas Cruquius and the Map of the Merwede<\/strong><br \/>\nLaura CARLEVARIS &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#073<\/span><br \/>\n<strong>The Quincunx as Architectural <em>Structure<\/em>. Geometry and Digital Reconstructions after Leonardo da Vinci\u2019s Centralized Plan Temples<\/strong><br \/>\nMarco CARPICECI, Fabio COLONNESE- [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nTetyana TKACHENKO<br \/>\n[<em>Ukraine<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#107<\/span><br \/>\n<strong>Graphical Analysis of the Structural Behavior, According Hypothesis of Rankine-Schwedler, of a Large Stone Dome in Granada (Spain)<\/strong><br \/>\nJavier SU\u00c1REZ, Rafael BRAVO, Jos\u00e9 A. GONZ\u00c1LEZ &#8211; [<em>Spain<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#108<\/span><br \/>\n<strong>Modularity of Concave Polyhedra of the Second Sort with Octagonal Bases<\/strong><br \/>\nMarija OBRADOVI\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#126<\/span><br \/>\n<strong>Repetition of Triangle Fountain of Aldo Rossi: Geometrical Analogy of Architecture<\/strong><br \/>\nYuji KATAGIRI &#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nDaniel KLAWITTER<br \/>\n[<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#127<\/span><br \/>\n<strong>3D Modeling of the Biological Form of the Green Chinche<\/strong><br \/>\nDina ROCHMAN, America S\u00c1NCHEZ &#8211; [<em>Mexico<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#128<\/span><br \/>\n<strong>Research on Video Representation by Unexperienced Viewpoint Using 360-Degree Movie<\/strong><br \/>\nYuya SATO, Tsukasa KIKUCHI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#134<\/span><br \/>\n<strong>An Algebraic Version of the Input-Output Equation of Planar Four-Bar Mechanisms<\/strong><br \/>\nManfred HUSTY, Martin PFURNER &#8211; [<em>Austria<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">16:20-16:40 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]16:40-17:20 \u2014 PLENARY TS REPORT<br \/>\n<strong>Round Table with Session Chairs and Open Discussion<\/strong><\/p>\n<p><strong>Session Co-Chairs<\/strong><br \/>\nZeljka MILIN SIPUS &#8211; [<em>Croatia<\/em>]<br \/>\nPawe\u0142 RUBINOWICZ &#8211; [<em>Poland<\/em>]<\/p>\n<p>17:20 &#8211; 18:00 \u2014 KEYNOTE LECTURE<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nCornelie LEOPOLD &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL004<br \/>\n<\/span><strong>Designing with Shadow in Architectural Lighting Design<\/strong><br \/>\nKaoru MENDE, <em>Lighting Planners Associates, Tokyo &#8211; [Japan]<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<span style=\"color: #d4a502;\"><strong>18:00-22:00 \u2014 ISGG BOARD MEETING<\/strong><br \/>\n(ISGG BOARD MEMBERS ONLY)<\/span>[\/vc_column_text][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">FREE TIME FOR PARTICIPANTS<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#d4a502&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<strong><span style=\"color: #ffffff;\">5 AGOSTO &#8211; SUNDAY<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">POLITECNICO DI MILANO CAMPUS LEONARDO<br \/>\n<\/span><\/strong><span style=\"color: #000000;\">BUILDING 3 \u201cGINO CASSINIS\u201d<\/span><strong><span style=\"color: #000000;\"><br \/>\n<\/span><\/strong>[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]08:40-09:00 \u2014 REGISTRATION AND COFFEE DESK<\/p>\n<p>09:00-09:40 \u2014 KEYNOTE LECTURE<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nBaoling HAN &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL005<\/span><br \/>\n<strong>Higher Dimensional Geometries. What are they good for?<\/strong><br \/>\nBoris ODEHNAL, <em>University of Applied Arts, Vienna<\/em>\u00a0&#8211; [<em>Austria<\/em>]<\/p>\n<p>09:40 \u2014 10:00 \u2014 POSTER SESSION<\/p>\n<p><strong>Session Chair<br \/>\n<\/strong>Gao QIQI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#071<\/span><br \/>\n<strong>(C)\u00a0Kinematical Ruled Surfaces Based on Interrelated Movements in Axoids\u2019 Triad \u201cTorse-Cone-Cone\u201d<\/strong><br \/>\nGalina S. RACHKOVSKAYA, Yuriy N. KHARABAYEV &#8211; [<em>Russia<\/em>], Natalya S. RACHKOVSKAYA &#8211; [<em>United States<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#087<\/span><br \/>\n<strong>(A)\u00a0Determining Features of Volumes of Interest of Medical Ultrasound Images<\/strong><br \/>\nRobert TORNAI, P\u00e9ter T\u00d6R\u00d6K, J\u00e1nos P\u00e9ter P\u00c1LMAI, Botond BALOGH &#8211; [<em>Hungary<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#099<\/span><br \/>\n<strong>(C)\u00a0Getting the Smallest Sphere which is Tangent to Four Non-Parallel Unlimited Skew Lines in General Positions Based on MATLAB<\/strong><br \/>\nYe TAO, Sheng WEN, Kai ZHANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#100<\/span><br \/>\n<strong>(H)\u00a0The Alexander Mosaic and the House of the Faun. The Iconic Light of Geometric Relationships<\/strong><br \/>\nLuisa FERRO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#129<\/span><br \/>\n<strong>(E)\u00a0Representation of an Object as a Semiotics Sign in Engineering<\/strong><br \/>\nHarri LILLE, Aime RUUS &#8211; [<em>Estonia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#151<\/span><br \/>\n<strong>(A)\u00a0Designing by Rules: Parametric Workflow Behind ICGG2018 Conference Logo<\/strong><br \/>\nMatteo CAVAGLI\u00c0 &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#167<\/span><br \/>\n<strong>(T)\u00a0Wallace-Simson Line In Four Cayley-Klein Planes<\/strong><br \/>\nIvana BO\u017dI\u0106 DRAGUN &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#174<\/span><br \/>\n<strong>(T)\u00a0Building Types and Narrative Development in Emaki \u2014 Comparing the Compositions of <em>Kasuga Gongen Genki<\/em> and <\/strong><em><strong>Ishiyama-dera Engi Emaki<\/strong><br \/>\n<\/em>Noriko SATO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#233<\/span><br \/>\n<strong>(E)\u00a0MRT as a Testing Instrument in Research on a Singular Aptitude among Architecture Students<\/strong><br \/>\nRenata G\u00d3RSKA, Agnieszka WOJTOWICZ, Barbara WOJTOWICZ &#8211; [<em>Poland<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">10:00-10:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nNoriko SATO<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#112<\/span><br \/>\n<strong>Composition and Deconstruction of Spaces Depicted in Shinji Somai&#8217;s Films<\/strong><br \/>\nNaomi ANDO, Motoharu TANEDA,\u00a0 Shota ISHII, Nobuhiro YAMAHATA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#215<\/span><br \/>\n<strong>Optimized Ruled Surfaces with an Application to thin-walled Concrete Shells<\/strong><br \/>\nKevin NOACK, Daniel LORDICK &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#273<\/span><br \/>\n<strong>Detection of Critical Direction for Feature Line Extraction on Meshes Based on Local Integral Invariants<\/strong><br \/>\nQiqi GAO, Yasushi YAMAGUCHI &#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nIvana BO\u017dI\u0106 DRAGUN<br \/>\n[<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#080<\/span><br \/>\n<strong>A Property of Area and Perimeter <\/strong><br \/>\nDouglas DUNHAM, John SHIER &#8211; [<em>United States<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#123<\/span><br \/>\n<strong>Isotomic Transformation with Respect to a Family of Triangles<\/strong><br \/>\nHelena KONCUL &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#155<\/span><br \/>\n<strong>Geometric Constructive Traces in Drawings by Francesco Borromini<\/strong><br \/>\nMarco CANCIANI, Giovanna SPADAFORA, Maria del Pilar PASTOR ALTABA, Giovanni FORMICA, Marco D&#8217;ANGELICO, Camilla LEBBORONI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Giorgio BOLONDI<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#16<\/span><br \/>\n<strong>A Revised Project-Based Learning Program on Geometry -Maximizing the Volume of Solid<\/strong><br \/>\nIchiro TANAKA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#158<\/span><br \/>\n<strong>From the Plan to the 3D Model Through Folding. Case Studies in Fashion Design<\/strong><br \/>\nAlessandra AVELLA &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#050<\/span><br \/>\n<strong>Teaching 3D Character Animation Through Four Related Tasks<\/strong><br \/>\nRatko OBRADOVI<span class=\"s1\">\u0106<\/span>, Milo\u0161 VUJANOVI<span class=\"s1\">\u0106<\/span>, Igor KEKELJEVI<span class=\"s1\">\u0106<\/span> &#8211; [<em>Serbia<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nLuisa FERRO<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#009<\/span><br \/>\n<strong>Leonardo da Vinci as a Scientist in Assessing the Encyclopedic Literature of Imperial Russia, the Soviet Union and the Russian Federation<\/strong><br \/>\nMikhail MASHKARIN, Natalia KAYGORODTSEVA &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#074<\/span><br \/>\n<strong>The Triad of Vitruvius in the Modern World<\/strong><br \/>\nElena I. SHANGINA &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#029<\/span><br \/>\n<strong>Geometry\/Time Measurement\/Sundials. Graphical Resolution via Algorithmic and Parametric Processes<\/strong><br \/>\nFrancesco DI PAOLA &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nRenata G\u00d3RSKA<br \/>\n[<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#122<\/span><br \/>\n<strong>Ludovico Cardi Said \u201cIl Cigoli\u201d. Practical Treaty of Perspective: Innovative Aspects and Intuitions<\/strong><br \/>\nDaniele CALISI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#132<\/span><br \/>\n<strong>De L&#8217;Orme&#8217;s Graphics Language: Between Stereotomy and Orthogonal Proto-Projection<\/strong><br \/>\nAntonio CALANDRIELLO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#140<\/span><br \/>\n<strong>Sharawadgi and Penetrating Space in Chinese Classic Gardens. An Analysis of Perceptual Space in Wangshi Garden<\/strong><br \/>\nLuyi LIU &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nRobert TORNAI<br \/>\n[<em>Hungary<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#156<\/span><br \/>\n<strong>Directorial Surfaces and Potential Applications in Cupola Design<\/strong><br \/>\nMaja M. PETROVI\u0106, Radovan B. STULIC, Marko P. VU\u010cI\u0106, Radomir M. MIJAILOVI\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#157<\/span><br \/>\n<strong>Interactive Expansion of Achiral Polyhedra<\/strong><br \/>\nVera VIANA, Jo\u00e3o Pedro XAVIER, Ana Paula AIRES, Helena CAMPOS &#8211; [<em>Portugal<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#160<\/span><br \/>\n<strong>A Storage Model for Large Scale Web-based Learning Systems Based on Concept Tree<\/strong><br \/>\nHongming CAI, Zheng WANG, Jingjing LI, Haiyan YU, Yuanjun HE, Yonggen GU &#8211; [<em>China<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]11:40-12:00 \u2014 PLENARY\u00a0TS REPORT<br \/>\n<strong>Round Table with Session Chairs and Open Discussion<\/strong><\/p>\n<p><strong>Session Co-Chairs<\/strong><br \/>\nJessica ROMOR &#8211; [<em>Italy<\/em>]<br \/>\nHirotaka SUZUKI &#8211; [<em>Japan<\/em>]<strong><br \/>\n<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">12:00-13:40 \u2014 LUNCH<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]13:40-20:30<br \/>\n<strong><span style=\"color: #d4a502;\">CONFERENCE TOUR<\/span><\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#d4a502&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<strong><span style=\"color: #ffffff;\">6 AGOSTO &#8211; MONDAY<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">POLITECNICO DI MILANO CAMPUS LEONARDO<br \/>\n<\/span><\/strong><span style=\"color: #000000;\">BUILDING 3 \u201cGINO CASSINIS\u201d<\/span><strong><span style=\"color: #000000;\"><br \/>\n<\/span><\/strong>[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]08:40-09:00 \u2014 REGISTRATION AND COFFEE DESK<\/p>\n<p>09:00-09:40 \u2014 KEYNOTE LECTURE<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nDaniel LORDICK &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL006<\/span><br \/>\n<strong>Computational Visual Illusion and Its Application<\/strong><br \/>\nPeeraya SRIPIAN, <em>Shibaura Institute of Technology, Tokyo &#8211;<\/em> [<em>Japan<\/em>]<\/p>\n<p>09:40 \u2014 10:00 \u2014 POSTER SESSION<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nDaniela VELICHOVA &#8211; [<em>Slovakia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#36<\/span><br \/>\n<strong>(H)\u00a0Luca Pacioli: a friend of Leonardo da Vinci. De Divina Proportione in Capital Letters<\/strong><br \/>\nPaola MAGNAGHI-DELFINO, Tullia NORANDO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#115<\/span><br \/>\n<strong>(A)\u00a0A Study on Automatic Generation of Heating Patterns of Contour Maps for 2.5D Printing<\/strong><br \/>\nHiromasa SUZUKI, Yutaka OHTAKE, Yuta MIWA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#180<\/span><br \/>\n<strong>(A)\u00a0Geometric Analysis and Engineering Application of Conic Section<br \/>\n<\/strong>Yaqi XU, Chengfang ZHANG, Xinwu MI &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#186<\/span><br \/>\n<strong>(T)\u00a0<\/strong><strong>Parametrizing 3-Webs of Circles on Darboux Cyclides<br \/>\n<\/strong>Rimvydas KRASAUSKAS &#8211; [<em>Lithuania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#235<\/span><br \/>\n<strong>(C)\u00a0<\/strong><strong>Federated Parametric Models for Seismic Risk Analysis in Existing Buildings<br \/>\n<\/strong>Carlo BIAGINI, Paolo OTTOBRI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#246<\/span><br \/>\n<strong>(H)\u00a0<\/strong><strong>Vilnius Cathedral Ceiling Interactive 3D Models \u2013 Exploration and Digitalization<br \/>\n<\/strong>Daiva MAKUT\u0116NIEN\u0116 &#8211; [<em>Lithuania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#248<\/span><br \/>\n<strong>(E)\u00a0<\/strong><strong>A Study on Monozukuri Education in Karakuri Doll Production<br \/>\n<\/strong>Hiroki TOMINAGA, Masayuki MORI, Naoki IIDA, Kenichi HIROSE &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#261<\/span><br \/>\n<strong>(E)\u00a0<\/strong><strong>Features of Teaching the Graphic Discipline Courses for Different Specialty Students<br \/>\n<\/strong>Iryna TARAS &#8211; [<em>Ukraine<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#272<\/span><br \/>\n<strong>(A)\u00a0<\/strong><strong>Study on Analysis Support of Lubrication Phenomenon by Three-Dimensional CAD. Development of Auxiliary Analysis Tool for CAD<br \/>\n<\/strong>Toshiaki KANDA, Masatoshi NIIZEKI, Toshihiro OZASA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#279<\/span><br \/>\n<strong>(E)\u00a0<\/strong><strong>Projections: Applications from Geometric and Project Design Education<br \/>\n<\/strong>Caio Cesar PEREIRA, Guacira MACEDO DOS SANTOS, Sandra DE ARAUJO BARATA GOMES &#8211; [<em>Brazil<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">10:00-10:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Andrea GIORDANO<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#177<\/span><br \/>\n<strong>Relationship Between Time and Typical Buildings Depicted in Kasuga Gongen Genki<\/strong><br \/>\nNoriko SATO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#179<\/span><br \/>\n<strong>Study and Practice on Double Deck Folding Structure Mobile Home Design Development<\/strong><br \/>\nShin TSUCHIYA, Toshikazu ISHIDA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#187<\/span><br \/>\n<strong>On One Locus in the Plane<\/strong><br \/>\nJiri BLAZEK, Pavel PECH &#8211; [<em>Czech Republic<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#189<\/span><br \/>\n<strong>Geometrical Structures of Planar and Spatial Tessellations Based on 3D Models of Higher Dimensional Cubes<\/strong><br \/>\nL\u00e1szl\u00f3 V\u00d6R\u00d6S &#8211; [<em>Hungary<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#190<\/span><br \/>\n<strong>Logicometry: Graphical Representations of Logical Space Interrelations<\/strong><br \/>\nPanayiotis VAROUTSOS &#8211; [<em>Greece<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nRimvydas KRASAUSKAS<br \/>\n[<em>Lithuania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#024<\/span><br \/>\n<strong>The Properties of Special Points on the Brocard Circle in a Triangle<\/strong><br \/>\nVictor OXMAN, Avi SIGLER, Moshe STUPEL &#8211; [<em>Israel<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#082<\/span><br \/>\n<strong>Examples of Autoisoptic Curves<\/strong><br \/>\nBoris ODEHNAL &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#192<\/span><br \/>\n<strong>Structure Functions of Ruled Surfaces with Null Rulings<\/strong><br \/>\nLjiljana PRIMORAC GAJ\u010cI\u0106, Ivana PROTRKA, Zeljka MILIN SIPUS &#8211; [<em>Croatia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#197<\/span><br \/>\n<strong>The Geometry of Quadratic Quaternion Polynomials in Euclidean and Non-Euclidean Planes<\/strong><br \/>\nZijia LI, Josef SCHICHO, Hans-Peter SCHR\u00d6CKER &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#200<\/span><br \/>\n<strong>Graphical Model of the Biquadratic Transformation<\/strong><br \/>\nAuyez BAIDABEKOV, Seriktay BAYMUKHANOV, Elmira KEMELBEKOVA &#8211; [<em>Kazakhstan<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nCarlo BIAGINI<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#118<\/span><br \/>\n<strong>Aircraft Target Recognition in Remote Sensing Images Based on Saliency Maps and Invariant Moments<\/strong><br \/>\nJie LUO, Jiexian ZENG, Jun FU, Xiang FU, Lu LENG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#133<\/span><br \/>\n<strong>Generating Videos Based on Convolutional Recurrent Generative Adversarial Networks<\/strong><br \/>\nYachao LI, Toshihiro KOMMA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#153<\/span><br \/>\n<strong>Orthographic Drawings Minting: Testing for Indeterminate Solid Models Caused by Underrepresentation<\/strong><br \/>\nPeter ROSSO, Ben HICKS, Michael PATTERSON &#8211; [<em>United Kingdom<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#161<\/span><br \/>\n<strong>A Creo-Based Modeling and Toolpath Generating System for the NC Whirling Process of Propeller Blades<\/strong><br \/>\nXinfeng LIU, Riliang LIU &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#195<\/span><br \/>\n<strong>Directing Scheme Support Method Based on Analysis of Angry Characters<\/strong><br \/>\nYoshihisa KANEMATSU, Ryuta MOTEGI, Naoya TSURUTA, Koji MIKAMI, Kunio KONDO &#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nNiels-Christian FRITSCHE<br \/>\n[<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#181<\/span><br \/>\n<strong>Comparative Analysis of Teaching in Geometric Surfaces at Architectural Faculties in Ni\u0161 and Tokyo<\/strong><br \/>\nSonja KRASI\u0107 &#8211; [<em>Serbia<\/em>], Naomi ANDO &#8211; [<em>Japan<\/em>], Petar PEJI\u0106, Zlata TO\u0160I\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#188<\/span><br \/>\n<strong>Mathegraphics. Integrating Graphic, Geometrical and Algebraic Representation in Teaching and Research Through a Dialogical Approach <\/strong><br \/>\nEnrico CICAL\u00d2, Andrea CAUSIN, Margherita SOLCI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#196<\/span><br \/>\n<strong>Character Making Education by DREAM Process <\/strong><br \/>\nRyuta MOTEGI, Yoshihisa KANEMATSU, Naoya TSURUTA, Koji MIKAMI, Kunio KONDO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#205<\/span><br \/>\n<strong>A Course on Geometric Dimensioning and Tolerancing: Overview and Initial Assessment <\/strong><br \/>\nTheodore J. BRANOFF &#8211; [<em>United States<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#209<\/span><br \/>\n<strong>Byrne\u2019s Euclidean Geometry Revisited with Geogebra <\/strong><br \/>\nGiorgio BOLONDI, Alessandro LUIGINI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMatteo Giuseppe ROMANATO<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#141<\/span><br \/>\n<strong>Between Survey and Interpretation: the Ideal Shape of <em>Flavian<\/em> Amphitheater According to Carlo Lucangeli<\/strong><br \/>\nJessica ROMOR, Graziano Mario VALENTI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#143<\/span><br \/>\n<strong><em>La G\u00e9om\u00e9trie Pratique<\/em>. Survey Manuals in France Between the 18th and 19th Centuries<\/strong><br \/>\nCamilla CASONATO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#146<\/span><br \/>\n<strong>Perspective Analysis of the Inlaid Wood Panel from Duomo of Bergamo<\/strong><br \/>\nGiorgio BURATTI, Giampiero MELE &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#166<\/span><br \/>\n<strong>Digital Renovation and Archives of Japanese Ancient Ritual Performance at the World Cultural Heritage: <em>Niutsuhime<\/em> Shrine<\/strong><br \/>\nKohei FURUKAWA, Kazuya KOJIMA, Kozaburo HACHIMURA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#176<\/span><br \/>\n<strong>Astronomy of Shadows and Light: Athanasius Kircher\u2019s Sundials Between Geometry, Perspective and Science<\/strong><br \/>\nCosimo MONTELEONE, Isabella FRISO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMasatoshi NIIZEKI<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#162<\/span><br \/>\n<strong>Introduction to \u201cArchitectural Geometry\u201d: Through Analysis of Architecture Made of Square Plan<\/strong><br \/>\nTakahiro OHMURA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#169<\/span><br \/>\n<strong>A Suggestion of the Optical Illusion Blocks for an Architectural Theory: Toward an Architecture in the Near Future<\/strong><br \/>\nDaiki AMANAI, Tomoko OHTANI, Kazushi MARUYA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#172<\/span><br \/>\n<strong>Suggestions for new Content in the Planetarium<\/strong><br \/>\nKosei YAMAMURA, Satoshi CHO, Hisashi SATO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#175<\/span><br \/>\n<strong>Triangular Proportional Scheme and Concept of Two Serbian Medieval Churches<\/strong><br \/>\nMagdalena DRAGOVI\u0106, Aleksandar \u010cU\u010cAKOVI\u0106 &#8211; [<em>Serbia<\/em>], Jelena BOGDANOVI\u0106 &#8211; [<em>United States<\/em>], Svetlana \u010cI\u010cEVI\u0106, Aleksandar TRIFUNOVI\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#178<\/span><br \/>\n<strong>Perspective and the Blind. Towards a Communication of Painted Spaces to the Visually Impaired<\/strong><br \/>\nBarbara ANSALDI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nLu\u00eds ROM\u00c3O<br \/>\n[<em>Portugal<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#183<\/span><br \/>\n<strong>Extended Morphological Closing Using Geodesic Filtering<\/strong><br \/>\nTakashi MICHIKAWA, Satoshi WADA &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#185<\/span><br \/>\n<strong>Making Fulldome Images Using Camera with Fisheye Lens and Fulldome Picture on Bowl. Workshop for Children at Planetarium<\/strong><br \/>\nHidekazu TSUJIAI, Megumi TAKENAKA, Tadashi HAYASHI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#193<\/span><br \/>\n<strong>Visualizing of Infants\u2019 Behavior at Home Using Augmented Reality for Promotion of Development and Prevention of Accidents<\/strong><br \/>\nMiho NISHIZAKI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#194<\/span><br \/>\n<strong>Visual Paradoxes in Video Games: Spatial Reconstructions and Geometric Analysis<\/strong><br \/>\nAlessandro OLIVIERI, Ramona FERIOZZI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#202<\/span><br \/>\n<strong>Smart Artefacts and Spaces to Interact, Promote and Transfer Cultural Knowledge<\/strong><br \/>\nMauro CECONELLO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">12:00-13:40 \u2014 LUNCH<\/span><\/strong><br \/>\n(13:40-16:40 \u2014 ACCOMPANYNG PERSON TOUR)[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(T)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nNoriko SATO<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#083<\/span><br \/>\n<strong>A Spatial Version of the Theorem of the Angle of Circumference<\/strong><br \/>\nGeorg GLAESER, Boris ODEHNAL, Hellmuth STACHEL &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#234<\/span><br \/>\n<strong>Integration Between Perspective Images and BIM Models: Projective Geometry is still Alive<\/strong><br \/>\nPaolo BORIN, Andrea GIORDANO, Federico PANAROTTO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#280<\/span><br \/>\n<strong>Using Topological Transformations to Construct the Intercepting Lines<\/strong><br \/>\nGocha CHAVLESHVILI, Gaioz PARTSKHALADZE &#8211; [<em>Georgia<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nSonja KRASI<span class=\"s1\">\u0106<br \/>\n<\/span>[<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#236<\/span><br \/>\n<strong>Is the Constructional Drawing an International Language for Engineers?<\/strong><br \/>\nModris DOBELIS &#8211; [<em>Latvia<\/em>], Piotr POLINCEUSZ, Monika SROKA-BIZON, Krzysztof TYTKOWSKI &#8211; [<em>Poland<\/em>], Daniela VELICHOVA &#8211; [<em>Slovakia<\/em>], Antanas VANSEVICIUS &#8211; [<em>Lithuania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#256<\/span><br \/>\n<strong>Geometrography Revised and Enlarged: a Brazilian Geometer\u2019s Approach to \u00c9mile Lemoine\u2019s Work<\/strong><br \/>\nMarcelo DA SILVA BUENO &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#257<\/span><br \/>\n<strong>Challenges and Promises of Mobile Devices Usage for Spatial Visualization Skills Assessment in Technical Drawing for Engineering Course<\/strong><br \/>\nAleksandar TRIFUNOVI\u0106, Svetlana \u010cI\u010cEVI\u0106, Dragan LAZAREVI\u0106, Magdalena DRAGOVI\u0106, Aleksandar \u010cU\u010cAKOVI\u0106 &#8211; [<em>Serbia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#262<\/span><br \/>\n<strong>Drawing Geometry: a Laborious History in Italian School<\/strong><br \/>\nGiorgio BOLONDI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nJie LUO<br \/>\n[<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#159<\/span><br \/>\n<strong>From Orthographic Drawings to Editable Models of Simple Solid Using &#8220;Reconstruction-Recomposition&#8221; Coupled with Feature Recognition<\/strong><br \/>\nPeter ROSSO, Ben HICKS, Michael PATTERSON &#8211; [<em>United Kingdom<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#171<\/span><br \/>\n<strong>3-D Reconstruction of Bubbles Inside Valve Based on Multi-mirrors Imaging<\/strong><br \/>\nLiye JIAO, He XU, Haihang WANG, Zitong ZHAO, Pooneeth VISHWANATH &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#219<\/span><br \/>\n<strong>Analytic Approach to Finding Lines in Images and Estimating their Uncertainty<\/strong><br \/>\nMatthew HARKER, Paul O&#8217;LEARY &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#220<\/span><br \/>\n<strong>Geometric Fitting, Registration and Identification for Large Sets of Spatial Measurement Data<\/strong><br \/>\nMatthew HARKER, Paul O&#8217;LEARY &#8211; [<em>Austria<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Kunio KONDO<br \/>\n[<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#212<\/span><br \/>\n<strong>New Analog for the Digital Age: Adjusting Simultaneousness for Self-Explanatory Delineation of Architectural and Urban Projects in Public Presentations or: A \u201cNolli Isometric\u201d<\/strong><br \/>\nNiels-Christian FRITSCHE &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#225<\/span><br \/>\n<strong>A Multiview Interactive Interface for the Solution of Descriptive Geometry Problems<\/strong><br \/>\nFabio G. TEIXEIRA, S\u00e9rgio L. DOS SANTOS, Fernando B. BRUNO &#8211; [<em>Brazil<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#228<\/span><br \/>\n<strong>Physical \u2013 Digital. Defining the Architectural Space<\/strong><br \/>\nJolanta TOFIL &#8211; [<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#232<\/span><br \/>\n<strong>Design-Based Learning Supported by Empirical-Concrete Learning Objects in Descriptive Geometry<\/strong><br \/>\nFernando Batista BRUNO, R\u00e9gio Pierre DA SILVA, T\u00e2nia Luisa Koltermann DA SILVA, F\u00e1bio Gon\u00e7alves TEIXEIRA &#8211; [<em>Brazil<\/em>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nLuyi LIU<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#198<\/span><br \/>\n<strong>Digital Approach to Michelangelo&#8217;s Design. The Inner Light of Neoplatonic Geometry<\/strong><br \/>\nMatteo Giuseppe ROMANATO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#237<\/span><br \/>\n<strong>Abraham Bosse and the Perspective in Practice<\/strong><br \/>\nMarta SALVATORE &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#243<\/span><br \/>\n<strong>Material Models of Ruled Surfaces as Witnesses to the Development of Mathematical Teaching<\/strong><br \/>\nRobert P\u00c4\u00dfLER, Daniel LORDICK &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#218<\/span><br \/>\n<strong>Geometry in Advertising Graphics<\/strong><br \/>\nMassimo MALAGUGINI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: left;\"><strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMilena STAVRIC<br \/>\n[<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#206<\/span><br \/>\n<strong>\u201cUltima Dea\u201d: a Laser Scanner Application for 3D Modelling<\/strong><br \/>\nSalvatore BARBA, Francesco VILLECCO, Alessandro NADDEO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#207<\/span><br \/>\n<strong>An Unlikely\u00a0Rome.\u00a0Towards Performative Geometry<\/strong><br \/>\nCarlos Daniel CAMPOS &#8211; [Argentina], Alessandra CIRAFICI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#210<\/span><br \/>\n<strong>Geometric Links Between 2D Patterns and 3D Structures in Islamic Architectures of Andalusia<\/strong><br \/>\nBarbara MESSINA, Stefano CHIARENZA &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#217<\/span><br \/>\n<strong>Imperial Porphiry and Golden Leaf: Sierpinski Triangle in a Medieval Roman Cloister<\/strong><br \/>\nPaola BRUNORI, Paola MAGRONE, Laura TEDESCHINI LALLI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nAndrea AROSA<br \/>\n[<em>Argentina<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#221<br \/>\n<\/span><strong>Unfolding Geometry from Unity: Digital Survey and 3D Modeling of Islamic Decorative Apparatuses in Generalife Palace, Alhambra<br \/>\n<\/strong>Raffaella DE MARCO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#223<br \/>\n<\/span><strong>Geometrical Universality of Truss-Z System<br \/>\n<\/strong>Machi ZAWIDZKI &#8211; [<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#226<br \/>\n<\/span><strong>A Perspectograph for a Congregative Way of Perspective<br \/>\n<\/strong>Jos\u00e9 V\u00edtor CORREIA, Lu\u00eds ROM\u00c3O \u2013 [ <em>Portugal<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#229<br \/>\n<\/span><strong>The Role of the Graphic Element in the Context of Playful Games for Cultural Heritage<br \/>\n<\/strong>Valeria CERA &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">15:00-15:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Barbara MESSINA<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#259<\/span><br \/>\n<strong>Visualisation of DSM as 3D-Mesh for Urban Analyses<\/strong><br \/>\nPawe\u0142 RUBINOWICZ &#8211; [<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#264<\/span><br \/>\n<strong>Dendrimer Diagrams on the Disk and in the Ball<\/strong><br \/>\nDaniel LORDICK &#8211; [<em>Germany<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#265<\/span><br \/>\n<strong>A Quest for the Structural Response Through Geometric Representation of the Design of Built Heritage<\/strong><br \/>\nMaria Chiara Giangregorio, Giuliana CARDANI, Dario Angelo Maria CORONELLI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nMachi ZAWIDZKI<br \/>\n[<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#269<\/span><br \/>\n<strong>Immersive Visions. Some Paradigms a of an Exceeding Iconography. Capture and Monitoring by Spherical Cameras and Interactive Smartglasses<\/strong><br \/>\nFederico Alberto BRUNETTI &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#271<\/span><br \/>\n<strong>Utilization of Plane Tessellation for Paper Folding and Geometrical Transmittance Pattern for Lampshade Design<\/strong><br \/>\nHirotaka SUZUKI &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#278<\/span><br \/>\n<strong>Collection and Visualization of Pedestrian Navigation Routes Data with Parametric Tools<\/strong><br \/>\nMaja ILI\u0106 &#8211; [<em>Bosnia and Herzegovina<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(C)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nPeter ROSSO<br \/>\n[<em>United Kingdom<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#095<\/span><br \/>\n<strong>Study on Adaptive Threshold Image Processing Method for Detection of Vaccine Activity<\/strong><br \/>\nYancong LIU, Chao HUANG &#8211; [<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#098<\/span><br \/>\n<strong>Tensile Structure Form-Finding on the Basis of Properties of Frame-Grid Template<\/strong><br \/>\nEugene Vladimirovich POPOV, Marina Victorovna LAGUNOVA, Sergey Igorevich ROTKOV &#8211; [<em>Russia<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#275<\/span><br \/>\n<strong>Three-dimensional Modeling and Finite Element Analysis of Cycloid Hyperbolic Arch Dam<\/strong><br \/>\nTingna DU, Bo LI &#8211; [<em>China<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(E)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nJolanta TOFIL<br \/>\n[<em>Poland<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#046<\/span><br \/>\n<strong>Reinterpret whith Estrus. Creativity and Science in the Drawing Workshops of the Degree Course in Communication Design<\/strong><br \/>\nMaria Paola MARABOTTO &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#274<\/span><br \/>\n<strong>Application of Augmented Reality in the Compilation and Publication of Cartographic Textbooks<\/strong><br \/>\nHongliang FAN &#8211; [<em>China<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/2&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(H)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Graziano Mario VALENTI<br \/>\n[<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#250<\/span><br \/>\n<strong>Design Method of Original Motifs and Decorative Patterns Using Geometric Baseline Derived From Japanese Crafts<\/strong><br \/>\nKuniko OHTOMO &#8211; [<em>Japan<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#260<\/span><br \/>\n<strong>DIN-DON-DAN &#8211; Bells and their Geometry<\/strong><br \/>\nGraciela Marina COLAGRECO &#8211; [<em>Argentina<\/em>], Gunter WEISS &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#267<\/span><br \/>\n<strong>The Influence of the Discovery of Prehistoric Pile Dwellings around the Alps on Architect Hannes Meyer<\/strong><br \/>\nHideo TOMITA &#8211; [<em>Japan<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<\/strong><\/span><br \/>\nJos\u00e9 V\u00edtor CORREIA<br \/>\n[<em>Portugal<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#230<\/span><br \/>\n<strong>Geometrically Controlled Digital Workflow from Scratch to Fabrication<\/strong><br \/>\nMilena STAVRIC, Albert WILTSCHE, Markus BARTAKY, Elmar HESS &#8211; [<em>Austria<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#238<\/span><br \/>\n<strong>The Story of NanoJesus: Combining 3D Scanning and Femtosecond Laser Nanolithography for the Fabrication of the Smallest Nativity Scene in the World<\/strong><br \/>\nRyt\u0117 \u017dI\u016aRIEN\u0116, Linas JONU\u0160AUSKAS, Eimantas AUGLYS, Darius GAILEVI\u010cIUS, Egl\u0117 GIRDZIJAUSKAIT\u0116 &#8211; [<em>Lithuania<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#245<\/span><br \/>\n<strong>Parametric Modelling and Geometry for the Study of Groins in Compound Vaults<\/strong><br \/>\nMarco VITALI &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong>(A)<br \/>\n<\/strong><\/p>\n<p><span style=\"color: #d4a502;\"><strong>Session Chair<br \/>\n<\/strong><\/span>Yaqi XU<br \/>\n[<em>China<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#249<\/span><br \/>\n<strong>Between Architecture and Writing: Graphical Geometry to Decipher Systems of Signs. Campo Verano in Rome<\/strong><br \/>\nElena IPPOLITI, Francesca GUADAGNOLI\u00a0 &#8211; [<em>Italy<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#255<\/span><br \/>\n<strong>The Korean Alphabet (Hangeul) and the Translation Processes in Design<\/strong><br \/>\nAndrea AROSA &#8211; [<em>Argentina<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#258<\/span><br \/>\n<strong>Cellular Automata Between Life Science and Parametric Design: Examples of Stochastic Models to Simulate Natural Processes and Generate Morphogenetic Artefacts<\/strong><br \/>\nIrene CAZZARO &#8211; [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=&#8221;padding-1-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/4&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">16:20-16:40 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]16:40-17:20 \u2014 PLENARY\u00a0TS REPORT<br \/>\n<strong>Round Table with Session Chairs and Open Discussion<\/strong><\/p>\n<p><strong>Session Chair<\/strong><br \/>\nEma JURKIN &#8211; [<em>Croatia<\/em>]<br \/>\nYan MA &#8211; [<em>China<\/em>]<\/p>\n<p>17:20 &#8211; 18:00 \u2014 KEYNOTE LECTURE<\/p>\n<p><strong>Session Chair<\/strong><br \/>\nDouglas DUNHAM &#8211; [<em>United States<\/em>]<\/p>\n<p><span style=\"color: #d4a502;\">#KL007<\/span><br \/>\n<strong>Blindness of Seeing on the Origin of the Images<\/strong><br \/>\nAgostino DE ROSA, <em>Universit\u00e0 IUAV di Venezia, Venice &#8211;<\/em> [<em>Italy<\/em>][\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">CONFERENCE DINNER<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#d4a502&#8243; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading]<strong><span style=\"color: #ffffff;\">7 AGOSTO &#8211; TUESDAY<\/span><\/strong><br \/>\n<strong><span style=\"color: #000000;\">MUSEO NAZIONALE DELLA SCIENZA E DELLA TECNOLOGIA \u201cLEONARDO DA VINCI\u201d<\/span><\/strong><br \/>\n[\/split_line_heading][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]08:40-09:00 \u2014 REGISTRATION AND COFFEE DESK<\/p>\n<p>09:00-10:00 \u2014 CLOSING PLENARY<\/p>\n<p>PANEL SESSION<br \/>\n<strong>\u201c<span class=\"s1\">RELOADING GEOMETRY AND GRAPHICS<\/span>\u201d<br \/>\n<\/strong>A Glance at the Future of Geometry and Graphics, and ISGG<\/p>\n<p><strong>Reasons for the Call<br \/>\n<\/strong>Luigi COCCHIARELLA<br \/>\n<em>Executive Chairman &#8211;<\/em> [<em>Italy<\/em>]<\/p>\n<p><strong>Moderator<br \/>\n<\/strong>Theodore J. BRANOFF<br \/>\n<em>Former President of ISGG &#8211;<\/em> [<em>United States<\/em>]<\/p>\n<p><strong>Panelists<br \/>\n<\/strong>Hellmuth STACHEL<br \/>\n<em>Managing Editor of the Journal for Geometry and Graphics &#8211; JGG &#8211;<\/em> [<em>Austria<\/em>]<br \/>\nKenjiro SUZUKI<br \/>\n<em>Former President of ISGG &#8211;<\/em> [<em>Japan<\/em>]<br \/>\nGunter WEISS<br \/>\n<em>Former President of ISGG &#8211;<\/em> [<em>Austria<\/em>]<\/p>\n<p><strong>Hints from TS Reports<\/strong><br \/>\nZeljka MILIN SIPUS &#8211; [<em>Croatia<\/em>]<br \/>\nJessica ROMOR &#8211; [<em>Italy<\/em>]<br \/>\nEma JURKIN &#8211; [<em>Croatia<\/em>]<br \/>\nPawe\u0142 RUBINOWICZ &#8211; [<em>Poland<\/em>]<br \/>\nHirotaka SUZUKI &#8211; [<em>Japan<\/em>]<br \/>\nYan MA &#8211; [<em>China<\/em>]<\/p>\n<p><strong>Educational Projects at Politecnico di Milano<br \/>\n<\/strong>Susanna SANCASSANI<br \/>\n<em>Support Service for Research and Innovation Didactics &#8211; METID [Italy]<\/em><\/p>\n<p><strong>Questions and Disscussion<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">10:00-10:20 \u2014 BREAK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; color_overlay=&#8221;#e5ddd3&#8243; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_row_inner column_margin=&#8221;default&#8221; text_align=&#8221;left&#8221;][vc_column_inner column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; width=&#8221;1\/1&#8243; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]10:20-12:00 \u2014 OPEN ISGG MEETING and CLOSING CEREMONY<\/p>\n<p><strong>Chair<br \/>\n<\/strong>Yasushi YAMAGUCHI<br \/>\n<em>President of ISGG, Conference Chairman &#8211;\u00a0<\/em>[<em>Japan<\/em>]<\/p>\n<p><strong>Co-Chairs<br \/>\n<\/strong>Baoling HAN<br \/>\n<em>Vice- President of ISGG for the Regions Asia \/Australia \/Oceania<\/em> &#8211; [<em>China<\/em>]<br \/>\nEma JURKIN<br \/>\n<em>Vice- President of ISGG for the Regions Europe \/Near East \/ Africa<\/em> &#8211; [<em>Croatia<\/em>]<br \/>\nAura CONCI<br \/>\nVice- President of ISGG for the Regions North America \/ South America &#8211; [<em>Brazil<\/em>]<\/p>\n<p><strong>Plenary ISGG Meeting<\/strong><\/p>\n<p><strong>Steve Slaby Award<\/strong><\/p>\n<p><strong>First announcement for 19thICGG, 2020<\/strong><\/p>\n<p><strong>Resolution for the 18th ICGG in Milan, Italy,\u00a0 2018<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;2%&#8221; bottom_padding=&#8221;2%&#8221; overlay_strength=&#8221;0.3&#8243;][vc_column column_padding=&#8221;no-extra-padding&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;1\/1&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][vc_column_text]<strong><span style=\"color: #d4a502;\">12:00-13:40 \u2014 LEAVE TAKING SNACK<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row type=&#8221;full_width_background&#8221; full_screen_row_position=&#8221;middle&#8221; scene_position=&#8221;center&#8221; text_color=&#8221;dark&#8221; text_align=&#8221;left&#8221; top_padding=&#8221;5%&#8221; bottom_padding=&#8221;5%&#8221; color_overlay=&#8221;#ffffff&#8221; overlay_strength=&#8221;1&#8243;][vc_column column_padding=&#8221;padding-2-percent&#8221; column_padding_position=&#8221;all&#8221; background_color_opacity=&#8221;1&#8243; background_hover_color_opacity=&#8221;1&#8243; column_shadow=&#8221;none&#8221; width=&#8221;2\/3&#8243; tablet_text_alignment=&#8221;default&#8221; phone_text_alignment=&#8221;default&#8221; column_border_width=&#8221;none&#8221; column_border_style=&#8221;solid&#8221;][split_line_heading] Conference Program [\/split_line_heading][vc_column_text] Introduction The ICGG 2018 Program (still tentative) is summarized in the diagram at the foot of this page, here a summary of the scientific and social activities envisaged is outlined. On August [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-698","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/pages\/698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=698"}],"version-history":[{"count":76,"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/pages\/698\/revisions"}],"predecessor-version":[{"id":853,"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=\/wp\/v2\/pages\/698\/revisions\/853"}],"wp:attachment":[{"href":"https:\/\/www.icgg2018.polimi.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}